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      <image:caption>Strip-lining an oversized Andy Warhol painting in preparation for stretching - Image courtesy of Mary Sebera</image:caption>
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      <image:caption>Removing a failing lining canvas from an 18th century oil painting - Image courtesy of Pam Johnson</image:caption>
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      <image:caption>Removing a French oil sketch from a bowed board support - Image courtesy of Elma O'Donoghue</image:caption>
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      <image:title>Gallery</image:title>
      <image:caption>Removing a failing lining canvas from an 18th century painting - Image courtesy of Elma O'Donoghue</image:caption>
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      <image:caption>Inpainting areas of abrasion on a spalliera from 15th Century Italy - Image courtesy of Pam Betts</image:caption>
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      <image:caption>Consolidating an underbound paint layer on a Thai painting - Image courtesy of Pam Betts</image:caption>
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      <image:caption>Consolidating a loss in an oil painting under magnification - Image courtesy of Eric Gordon</image:caption>
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      <image:caption>Removing discolored varnish from interstices of impasto on a Pissarro</image:caption>
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      <image:caption>Pinning out an oversized painting after unrolling and stretching - Image courtesy of Susanne Friend</image:caption>
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      <image:caption>Examining the placement of the canvas on a stretcher before pinning - Image courtesy of Brian Linke</image:caption>
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      <image:caption>Preparing a painting for lining on a hot table. - Image courtesy of Pam Johnson</image:caption>
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      <image:caption>Tear in canvas viewed from the verso</image:caption>
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      <image:caption>Mid-treatment image of tear repair using addition of fibers and bridging</image:caption>
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      <image:caption>Tear in canvas after repair</image:caption>
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      <image:caption>Tear in canvas under magnification</image:caption>
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      <image:caption>Detail of discolored varnish and paint and tarnished silver leaf in 15th century panel painting</image:caption>
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      <image:caption>Detail of silver leaf armor in 15th century panel painting after cleaning and inpainting</image:caption>
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      <image:caption>Detail of discolored varnish, repairs and retouching in 15th century panel painting before treatment</image:caption>
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      <image:caption>Detail of face and join area in 15th century panel painting during treatment</image:caption>
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    <image:image>
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      <image:caption>Detail of ornate halo at join in 15th century panel painting during treatment. Carving a wax fill to mimic the detailed punchwork.</image:caption>
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      <image:caption>Detail of tratteggio-style loss compensation in 15th century panel painting.</image:caption>
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      <image:caption>Detail of tratteggio-style loss compensation in 15th century panel painting. This allows the eye to rest, but does not trick the viewer into thinking this area is original.</image:caption>
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    <image:image>
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      <image:caption>15th century Spanish panel painting before treatment - Image courtesy of Yosi Pozeilov</image:caption>
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      <image:caption>15th century Spanish panel painting after treatment - Image courtesy of Yosi Pozeilov</image:caption>
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      <image:caption>Detail of cracks in paint before treatment</image:caption>
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      <image:caption>Stretching a lined painting - Image courtesy of Elma O'Donoghue</image:caption>
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      <image:caption>Inpainting staple holes on tacking edges - Image courtesy of Mary Sebera</image:caption>
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    <lastmod>2026-06-10</lastmod>
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    <lastmod>2026-06-10</lastmod>
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